Search results for "focal points"

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Focal Points in Collective Free Improvisation

2013

OLLECTIVE FREE IMPROVISATION (herein abbreviated as CFI), while not a recent phenomenon in music (free jazz’s first experiments date from the late 1950s), remains under-studied. The extant literature either deals with political aspects (Carles and Comolli 2000) or tries to analyze the resulting music, using musicological tools (Jost 1994) or new concepts drawn from the complexity sciences (Borgo 2005). My research on CFI focuses on a cognitive approach, in order to understand the process of collective improvisation: 1 how a group of improvisers who do not know each other and are not using a common referent 2 (Pressing 1988) can answer the challenge of making music together. This paper deals…

[SHS.DROIT] Humanities and Social Sciences/Lawmedia_common.quotation_subject0603 philosophy ethics and religionReferentfocal points[ SHS.DROIT ] Humanities and Social Sciences/Law050105 experimental psychology060404 musicVisual artsPolitics[SHS.DROIT]Humanities and Social Sciences/LawPhenomenonMaterials Chemistry0501 psychology and cognitive sciencesComputingMilieux_MISCELLANEOUSmedia_commonImprovisationClass (computer programming)[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing artsimprovisation05 social sciencesPerspective (graphical)06 humanities and the artsArtEpistemology[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing artsCollective free improvisation060302 philosophyPerformance artJazz0604 artsMusic
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